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Kurdish music ((クルド語:موسیقای کوردی) Mûzîka Kurdî) refers to music performed in Kurdish language. Traditionally, there are three types of Kurdish Classical performers - storytellers ((クルド語:چیرۆکبێژ), ''çîrokbêj''), minstrels ((クルド語:سترانبێژ), ''stranbêj'') and bards (, ''dengbêj''). There was no specific music related to the Kurdish princely courts, and instead, music performed in night gatherings ((クルド語:شهڤبهێرک), ''şevbihêrk'') is considered classical. Several musical forms are found in this genre. Many songs are epic in nature, such as the popular ''Lawik''s which are heroic ballads recounting the tales of Kurdish heroes such as Saladin. ''Heyran''s are love ballads usually expressing the melancholy of separation and unfulfilled love. ''Lawje'' is a form of religious music and ''Payizok''s are songs performed specifically in autumn. Love songs, dance music, wedding and other celebratory songs ((クルド語:دیلۆک / نارینک), ''dîlok/narînk'' and ''bend''), erotic poetry and work songs are also popular. Another style of singing that originated as practice to recite hymns in both Zoroastrian and Islamic Sufi faiths is Siya Cheman. This style is practiced mostly in the mountainous subregion of Hewraman in the Hewrami dialect. However, some modern artists, have adopted the style and blended it with other Kurdish music. Siya Cheman can also be classified as ''çîrokbêj'' because it is often used to for storytelling.〔Izady, Mehrdad. The Kurds: A Concise Handbook, Taylor & Francis. ISBN 0-8448-1727-9.〕 Musical instruments include the ''tembûr'' ((クルド語:تهمبوور، ساز), tembûr, saz), ''biziq'' ((クルド語:بزق)), ''qernête'' ((クルド語:دودوک), Duduk) and ''bilûr'' ((クルド語:کاڤال), Kaval) in northern and western Kurdistan, ''şimşal'' (long flute), ''cûzele'', ''kemençe'' and ''def'' (frame drum) in the south and east. ''Zirne'' (wooden shawm) and ''dahol'' (drum) are found in all parts of Kurdistan. The most frequently used song form has two verses with ten syllable lines. Kurdish songs ((クルド語:ستران / گۆڕانی), ''stran'' or ''goranî'') are characterized by their simple melodies, with a range of only four or five notes. == Iranian Kurds == Kurdish music from Iranian Kurdistan has a rather distinctive form with its ancient native instruments such as the ''Daff'' and the ''tanbour'' and with a shadow of Iranian influence while itself, has influenced the music of Iran in general to a certain degree. The sufi music of the Yarsanî sect (''Ahleh Haqq'') with its 72 meqams is thought to be one of the most authentic and deep-rooted musical traditions in the world. Some of the most famous classical musicians, composers and singers of the past century from this part include Hassan Zirak (Bukan 1921–1972) who performed and recorded more than a thousand songs, Mohammad Mamlê (Mahabad 1925–1998) who was known for his voice, Abbas Kamandi (Sanandaj), Aziz Shahrokh, Hassan Darzi, Seyed Mohammad Safayi, Osman Hawrami, Najmaddin Gholami (Sanandaj) and Mazhar Khaleqi (Sanandaj). Several Iranian Kurdish singers and musicians have been highly influential in classical Persian and Iranian music in general, including Sayed Ali Asghar Kordestani (1882–1936) who was allowed to perform in Kurdish on the Iranian national radio, Shahram Nazeri (Kermanshah 1950 - ), Kayhan Kalhor (Kermanshah), Mohammad Jalil Andalibi (Sanandaj), Mojtaba Mirzadeh (Kermanshah), and Jamshid Andalibi (Sanandaj). The Kamkars (''Baradaran-e Kamkar'') from the city of Sanandaj is a leading ensemble in Kurdish music today. They are internationally renowned for their performance of Kurdish folk music and with great dynamism and innovation. Some members of the group, including Arsalan and Hooshang Kamkar, have also worked individually and produced successful works. The brothers have also been leading Persian performers, working hand in hand with a number of very high-profile Persian singers in the classical genre, like the most famous and renowned Mohammad-Reza Shajarian, along with whom they arguably managed to stop the extinction of the none-religious Iranian music after a ban by the Islamic government, making them a household name all over Iran. Nasir Razazî (Sanandaj), who now resides in Sweden, performs Kurdish music from all genres. Ali Akbar Moradi is the greatest master of the religious tembûr music of the Yarsan sect to which he belongs. Female singers include Nasir Razazi's late wife, Marziye Fariqi, her sister, Leila Fariqi who is known for performing pop-Westernised songs, Fattaneh Validi (Sanandaj) and Shahin Talabani (Sanandaj) who mainly performs classical folklore. Morad Kaveh is a Kurdish musician and singer, currently living in Sweden. He has been very successful in modernizing the Kurdish music. (Firmeski Gesh ) (Nostalgi Album ) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Kurdish music」の詳細全文を読む スポンサード リンク
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